Your every waking hour
An admiring study of postwar reconstruction
What is it about wars and the military that produce so much innovation and capacity? This a big and bold book which takes the contemporary collective awareness of Australia's wartime efforts on the battlefield and reflects on the building of the country on the back of the victory in 1945. It also invites the question of how best we can address the imperatives of building social infrastructure.
1939 was a watershed year in a number of ways. As Stuart Macintyre explains, the nation was in continuing decline following the Depression of the late 1920s (with nine per cent unemployment), and was faced with yet another major war on top of the terrible losses in World War I. On the backing of Britain's declaration of support in the face of the threat from an expansionist Japan, Australia committed to assist in the defence of Britain and reluctantly entered yet another European war.
Arcadia (Sydney Theatre Company)
Many wonderful things have been written about this sprawling gem of a play since it was first staged in 1993. Two decades later, it still bamboozles, delights, and moves its audience in its uncompromising search for meaning in love and science. This was a production in genuine homage to one of the great plays of modern times.
All They Seem’d To Want
The Spinifex Art Project and Pissaro at the Art Gallery of South Australia and the Gweagal Shield in the British Museum Collection of Aboriginal artefacts at the National Museum of Australia, Canberra.
Excursions in the Law
What’s on a judge’s mind? Litigants and advocates would love to know. Former judge Peter Heerey answers that question in his latest book, a compendium of writing over many years, covering a vast array of topics and in myriad forms.
Odyssey in the desert
Odyssey in the desert
Behind the Doors: An art history from Yuendumu
The painting of the Yuendumu doors in 1984 by Warlpiri artists, whose country is north-west of Alice Springs, represented an extraordinary moment in Australian art and modern art generally. In the 1980s some Aboriginal elders painted the doors in the Yuendumu School building to prompt students to show respect for their school and as a marker of their culture. It was the first time that they had painted using acrylics (not ochres), in colours never before used, to record the major stories of their community.
The redemptive power of dreams
Scenes from Village Life, by Amos Oz
Amos Oz, who is at the pinnacle of Israeli writing, epitomises the role of writer as a voice of hope, a moral guide, as well as the spinner of dream tales. Speaking recently at the Melbourne Town Hall, Oz captured the mood of progressive thought in Israel when he spoke of the pressing need for a two-state solution to resolve the Palestinian–Israeli crisis, where the warring forces would negotiate over the small tracts of land at issue, and would respect each other’s claims of sovereignty over their lands as indigenous peoples and equals. With his gift for striking images, Oz spoke of a time when Israel and Palestine would have embassies in each other’s countries. Israel, Oz declared, should be the first state to recognise the new state of Palestine. But is it all a dream?